Many of us ni-Vans love to watch a play by Wan SmolBag Theater. We have come to cherish them as the outlet for addressing issues that we would otherwise be uncomfortable to talk about. They have produced plays on issues such as HIV/AIDS and other sexually transmitted diseases, the issue of arranged marriages, the idea of Women and Children’s Rights, preservation of our turtles and other marine life, issues like shame and ignorance, and many, many more.
In December 2002, the whole troupe was awarded the Pacific People of the Year award, by Islands Business, for their outstanding efforts in helping the grassroots of Vanuatu. At that time, I was doing my third year in Computer Science at the Papua New Guinea University of Technology. I remember how my heart filled up with pride when I heard about this. Not because I had anything to do with it, but because I was proud that there was a group of people from my country being praised right across the Pacific Region for outstanding humanitarian work. And I wished that my life had veered into WSB instead of University!
When I returned to Vanuatu, I made sure I would go to all stage productions, and watch all their video productions. And ever since, I have been an avid fan of WSB. My favorite videos so far have been “Eni wan i luk Rose?” and “Las Kad”, and my favorite plays have been the Blanksands Community Play, “Las Kad” and “40 Dei”!
“Eniwan i luk Rose?” is about a girl who ran away from her island because her parents had arranged for her to wed her “custom” husband, who had killed his first wife. She disguises herself as a boy and escapes to town and hides at her sister’s house. She is later found out but her sister lets her live on in Port Vila.
“Las Kad” is a very thought-provoking play. It was the first WSB play that ever had a real-life effect on me. It addressed so many issues in such a very different way that I left the WSB haos not feeling entertained like I’d been every other time. This time, I left thinking about the vanity of living in a society rife with corrupting influences brought on my drugs, forced marriages, hidden loves, drinking, black magic, unemployment, decisions, decisions and decisions! Both the stage and DVD versions have had very deep impacts on my life.
“40 Dei” is the most recent play and although not as thought-provoking for me as “Las Kad”, it showed to me some issues I experience in my church. It is a religious play and addresses the lives of people having to deal with their Christianity and life at large. It is so full of malice that I was constantly marveling at how Jo Dorras (the scriptwriter) managed to pen all these dialogue without sounding like a cliché!
And I talk about malice because of the way young Mathew has to constantly battle his friends and his drinking problem. How he has to be tied to the mother of his child just because of a one-night stand. How the hypocrisy of church members can ruin a young woman’s life – to marry her off to a potentially corrupt politician, just because he paid for the church’s sound system! And these are real issues.
But my experience with WSB doesn’t stop at the fan level. In 2008 I was very, very, very privileged to take part in the second season of their popular TV soap, “Love Patrol 2″. I was cast as a thieving, raping, treacherous, unscrupulous and lousy escaped prisoner who, with an accomplice, wrecked havoc around town and corrupted a young kid along the way.
Although I didn’t enjoy portraying a sicko, I enjoyed my time with the team. Tremendously so! For the first time in my life, I was in front of a professional cameraman, acting out a character in a story, in a WSB production.
I remember going through the script at my house late into the night, locking myself in the bathroom and trying on different versions of “You got what I asked for?”, only to fall down in laughter because I could not sound convincing enough!
And then there were the read-throughs where all participating actors would sit around in a circle and read through the script from Episode 1 Scene 1 to the last scene of the last episode. I wasn’t present in all read-throughs, but whenever I came and participated, I really enjoyed watching how each actor and extra was responding to the other. Most of the time it was comical!
Then the rehearsals! This is the worst part, at least for me, because this is when the director (Peter Walker) would have a really difficult time trying to sort out from which side of a shot we would be talking or moving in from, what sort of voice level we should use, which way to look, and if the character had to have sudden mood swings, how should we deal with that. At times I would laugh but I realized that the director was taking this seriously so I’d stop laughing and try to look like an angry, escaped prisoner.
Then come shooting time. I recall fighting something similar to stage fright when shooting my first scene. It was a scene where I was in a prison yard, with me walking off from a prison wall to a visiting friend and ask if he had what I had asked for. I tried not to show that I was shaking and not look like I might run off the set there and then! There were all these crews and full-time WSB actors standing around waiting to see what I would do. I was genuinely scared that I’d ruin that first shot – not only because I was nervous, but also because we had not rehearsed it this way!
After I’d gone through the motions, said my first line in a professional production and heard the director yell out “That’s good, let’s do one more!”, I started to ease up and feel at home. Then we went through several takes of that one shot, then moved to another shot. By the time we had finished my first scene, I was relaxed and at home. Not only had my wish of joining WSB come true in a sense, but I was actually taking part in a production that would be aired regionally.
From then on, it was
easy to do what I was told to do because now I knew that there would be more than one take of a particular shot, in which case I would improve on a previously bodged shot. I stole in a house, saw my friend kill a security guard, influenced a kid to steal, and did other stuff with glee at acting in a production with WSB.
Not only did I enjoy the acting, I also had fun mingling with the cast and crew. They are a funny lot, is this WSB people. The ladies would complain about small things like actors not caring about their costumes, or someone eating more than a plate of food – just like any mother would. And the guys would pull off practical jokes on themselves – sometimes being caught by the ladies, in which case everybody would laugh it off out of sheer embarrassment, yet true camaraderie.
To date, I still reminisce in those experiences and wish that WSB might cast me in a future production again. I’ve enjoyed watching their plays, videos and DVDs and would really love to be part of a stage production one day.
At present, WSB is working on “Love Patrol 3″. I wish you guys all the best!
Thanks guys!